Sound Design

My work is all about capturing the essence of sound, bringing us closer to what our senses need to feel.

Max MSP Works

I’ve been working with different iterations of MaxMSP for spatial audio and interactive audio since 2018.

In this example, an infrared depth sensor tracks into Live and visual components.

Modular Synthesis

Modular synthesis is the main method for sound creation at the core of my work.

Audiovisual Media Sound Design Reel

In this reel, every single sound has been recorded, produced, arranged or programmed by Sound Designer Andres Beltran

Individual Clips

Videos

SOUND REDESIGN: Mob Psycho 100, S1. Ep12

In this more child-focused animation, the sound redesign is based on quirky magical spells rather than something harmful. This, combined with the anime style of sound design, brings out all the characteristics for a scene of this type.

In this animation that places a greater emphasis on children, the sound redesign is inspired by whimsical and magical spells rather than anything that could be considered harmful. this also matches the idea from the director where none of these should hurt the character in question. This approach, coupled with the anime style of sound design, effectively highlights and accentuates all the unique characteristics of a scene designed for this type of audience and this kind of media.

SOUND REDESIGN: The LEGO Movie

In this sound redesign, the focus was on procedural sounds. Each LEGO click would sound slightly different, but maintain the original sound of LEGO pieces clicking together. At the same time, you can see the blend of LEGO plastic and natural ‘realistic’ sounds, like the motorcycle or the characters’ steps.

In this sound redesign, the idea was to focus on procedural sounds. Each LEGO click would sound slightly different, but without compromising the original sound of LEGO pieces clicking together. At the same time, you can see the mix between LEGO plastic and natural “realistic” sounds, such as the motorcycle at the end or the steps of the characters.

SOUND REDESIGN: Blade Runner 2049

In this sound redesign of a dystopian future, like Blade Runner 2049, I wanted to emphasise the cityscapes, technological advancements, and multicultural atmosphere of this era. The sound of rain, bystanders, people passing by, clubs, and the blend of indoor and outdoor spaces, along with the interactions of various elements.

In this sound redesign of a dystopian future, such as Blade Runner 2049, I wanted to highlight the cityscapes, the technological advancements, and the multicultural ambience that this era might bring. The sound of the rain, bystanders, and people passing by, the exit of clubs, and the combination of indoor and outdoor areas, along with the interactions of various elements, create an immersive experience that captures the viewer’s attention at any point during the video.

SOUND REDESIGN: 劇場版 Fatestay night Heaven's Fee III, spring song 1

This is a sound-redesign of a very intense fantasy-style fight in animation, the style is meant to reflect the typical style of what this type of soundscape and design would normally sound like.

Sound redesign of a highly intense and dynamic fantasy-style fight scene in animation. The aim is to capture and enhance the typical sound elements that one would expect in such anime based soundscape, ensuring that each of the sound effects, and ambient noises align with the epic nature of anime battles. The redesign seeks to evoke the excitement, tension, and grandeur associated with these scenes.